Monday, October 18, 2010

How to Wait

The ocean waits
for the man to fold
his arms behind
his back.

It waits for the end of things;
the unspooling
of fishing line.
A hook, a sinker. Maybe a fish.

It laughs at white bodies running
like matchsticks along the sand.

It forms waves like words
on the tongue, heard
in the heart then spoken
onto the shore.

It takes on the gleam
of another: the sun,
that showy ball
of who knows what.

And it waits for shutters
to open, to catch
the whole of it,
never catching
more than a glimpse
of the waiting ocean.

Sunday, October 17, 2010

poetry to walk to

This is one of those cool in theory... maybe not so cool in practice things. But seeing as theories interest me, I'll tell you about the Melbourne Poetry Map.




You download a set of poems, and a map, and then go for a walk with poems to accompany you on a journey around the city!

The website's cute. I like the watercolour pictures of the poets.

Monday, October 11, 2010

camels








I wrote this little poem while lying in Jane's hammock in Broken Hill about two weeks ago. We'd just been riding camels near Silverton.

It must be remembered
that camels pull
saltbush
from scarlet earth
with nicotine-coloured teeth
the size
of your pinkie

and chew
with doey eyes
that roam the pock-marked
face of the desert
in contemplation
of the next green
stem.

Wednesday, October 6, 2010

Angastan op shop

Staying in a lovely little cottage in Angastan (in the Barossa) this week means we're getting to know the town's locals.

We've had fun chats with the florist, barista, cheese maker, and best of all, op shop volunteer.

Check out her smart moves on the old cashier.




Tuesday, October 5, 2010

Holiday truth # 1

It is not down in any map; true places never are. - Herman Melville



Saturday, October 2, 2010

of borders and horizons

There is something about knowing you are bound by sea that unconsciously draws you to the edge, to the precipice.

On Kangaroo Island I found myself constantly mediating expectations of perception as we would drive uphill on a crest, and my whole body would anticipate a glimpse of the ocean, only to find before me an infinity of bushland or pasture.

The Island is expansive, taking over an hour to cross from one side to the other and holds a series of mini ecosystems, changing every few kilometres from scrubland to forest, lagoon to marsh, canola field to sheep station, rugged cliffs to still bay or white beach.

I discovered when you're on an island, finding the boundaries and reaching the limits becomes exhilarating.

We stood awestruck at the edge of Cape De Coedic, in the Flinders Chase National Park watching waves of distant antarctic waters scrunch like paper below us, imagining the life of a lighthouse keeper and his family.

And we held our breath while enormous granite boulders sculpted by the earth's molten core dwarfed out bodies on the edge of the vast blue immensity.

Meanwhile, I wondered at the birds constantly transgressing human boundaries in flight, choosing in their freedom to travel over water, to dive, to glide or to rest in a tree. Similarly, I envied the seals who lay on the beach having spent days in the ocean depths feeding, crossing the breach on instinct for survival.

Still, after three nights on the Island, as we drove towards the ferry for our departure, my eyes kept scanning for the horizon. It was only when we made it to the mainland that this strange impulse to map out my surroundings left.